Can You Name This Classic Gear Without the Label?

When young Paul McCartney saw the Hofner 500/1 Bass hanging in the window of a Hamburg store, he knew he had to have it. At the time, Hofner was a small instrument maker that specialized in violins. After the first one was stolen, Hofner gave him another in 1963.

In 2019, Duane Allman's 1957 Gibson Gold Top that he lovingly dubbed "Layla" sold at auction for $1 million! Since 1952, its trapeze-style bridge and solid construction have been a favorite of famous rock 'n rollers. If you have $2,200 lying around, you can get one for yourself!

Created by MXR Industries, the MXR Distortion+ works by manipulating sound using parallel clipping. You've probably heard it used by the likes of Thom Yorke, Jerry Garcia and Randy Rhoads.

We would need more than one webpage to list all the guitars James Hetfield has played during his career. During his early years, he preferred the Jackson King V. These days, he's a big fan of ESP guitars. The company has even created a limited edition bearing his name.

From 1948 to 1960, the front of Fender amps were covered in a fabric that resembled tweed. The term refers to a variety of Fender amps, including the Bassman and the Champ, but there was no one specific amp named the "Fender tweed."

The G-cutout on the G6138's tailpiece should have given you a hint! In 1958, Gretsch created the custom guitar just for the legendary player. A square hollow body is complemented by a maple fretboard, the signature Gretsch headstock. You can get one of your own for just under $3,000.

Hot off the successes of their amp division, Vox decided to throw its hat in the guitar-making ring. The company wanted to stand out from the crowd and do things differently, and the design of Phantom VI was approved in 1961. Its teardrop shape has been one of the company's signatures.

The Boss DM-2 was discontinued in 1984, but the love for it continues to grow. The DM-2 adds rich, analog tones, and it was the first time Boss had tried out a smaller body size for its pedals. Everyone from Prince to Steve Vai and Kurt Cobain have professed a love for it.

Officially called the JTM45, "Number One" was Marshall's first attempt at making amps that would sell. Displayed in a store for the first time in 1962, it received order the very first day. "Number One" helped turn Marshall into one of the industry's most popular and respected brands.

Zildjian cymbals have a history that dates back to 1618! It would be hard to find a drumset without at least one Zildjian somewhere on its rack. In Charlie Watts' case, you would find a pair of hi-hats, a China cymbal, a ride cymbal, and a thin crash.

First manufactured in 1958, the Vox AC30 has long been a favorite of famous guitar players. Loved for its clean and jangly sound, it's been used by everyone from The Beatles to Brian May. It would be hard to attend a music festival without seeing a few of them on stage.

When Eric Clapton was looking for a guitarist to complete The Yardbirds, Jimmy Page recommended Jeff Beck. Filled with gratitude, Beck gave Page a 1959 Fender Telecaster. Telecasters, or "Teles," are one of rock 'n roll's most beloved guitars. They've been around since 1951.

If you listen closely to The Beach Boys, you'll hear a symphony of synthesizer tones on songs like "Love You." When the Moog Modular was introduced in 1967, it caught the attention of adventurous musicians, including the Electric Light Orchestra.

Back in 1969, guitarists were experimenting with more sounds than ever before. When Electro-Harmonix released the Big Muff, it was an instant hit! You would be hard-pressed to find a guitarist from back then or out there today who hasn't played a Big Muff at least once.

Orange amps began life in the London basement. Since 1968, creator Clifford Cooper has been a leader in the industry. His signature Tiny Terror Combo amps have been played by everyone from the Deftones to Jimmy Page and PJ Harvey.

Designed to contain feedback, the Gretsch Country Gentleman was promoted by Chet Atkins. On the market since 1958, the hollow body was usually accompanied by a Bigsby tremolo arm. The guitar's over-sized style is reminiscent of the acoustic guitars played by the country music guitarists of the time.

As early as the 1930s, Sears was putting out small electronics like radios under the Silvertone name. With guitar amplification becoming more and more popular, they were one of the first to jump into the amp making game.

By 1960, Danelectro was experimenting with a series of convertible guitars that were wired like electric guitars but still possessed the sound hold of acoustics. Back then, Danelectro used linoleum to go around the sides of the guitar, giving them a look all their own.

Only three years after making the Tele, Leo Fender wanted to take it up a level. In 1954, the sleeker and more edgy looking Stratocaster was born. Even though he was advised against it, Buddy Holly was one of the first to play it. His producers thought it distracted from his wholesome look.

While teaching piano to injured soldiers in the 1940s, Harold Rhodes began making small pianos from spare airplane parts. In 1959, he partnered with Leo Fender to manufacture them. Artists like The Beatles incorporated them into their songs, and the rest is history.

Although both Robby Krieger and Angus Young loved the Gibson SG, they had very different ways of playing it. Introduced in 1960, Les Paul unveiled the original model to the world. He followed it up with several versions of the guitar, including Junior, Standard and Custom.

Like the Vox AC60, the Fender Twin Reverb is so well-loved, it's hard to find a rig without one. Released only months after its big brother, the Bassman, the Twin Reverb hit the market in 1952. With 25-watts and two speakers, it was one of the most powerful of the time.

Fender and Gibson have always been competitors, and a little competition is precisely what led to the creation of the Gibson Thunderbird. When Les Paul saw how well Fender's top bass was selling, it threw its hat into the ring and released the giant in 1963.

Popularized by the likes of Keith Richards and Ron Wood, the Ampeg VT-22 first released in 1972 boasted two 12" speakers run by a V-4 head. Often called one of the loudest amps out there, its 100 watts make sure than anyone can hear you.

The Rickenbacker 330's cutaway shape gave it an unmistakable look. Created in a series of "Capri" guitars during 1958, it was known for its light and springy sound. But its hollow body design gave it a richness that players like Pete Townshend loved to experiment with.

TONTO (The Original New Timber Orchestra) was the brainchild of two British experimental musicians. Assembled in the late '60s and early '70s, the synthesizer's components were so large that the filled an entire room. Also used by Mark Mothersbaugh, TONTO is now part of a museum collection.

Since their creation in 1935, there have been over two million Hammond Organs sold. Once self-powered, the '70s saw the company adding external power sources. If you listen to any '70s rock, you're bound to hear plenty of it.

Struggling to keep up with music's evolving sound, the makers of Jackson guitars decided to take a chance on a Hollywood guitarist. Together with Randy Rhoads, the first version of the Concorde V was born. After his death, it became known as the Jackson Rhoads.

The Dunlop Cry Baby wah pedal hit the stage in 1966. With few effects pedals available then, artists like Jimi Hendrix were instantly drawn to it. Soon, it became the favorite of blues artists like Stevie Ray Vaughan, too. The pedals were significantly improved over the years, but you can still buy them.

While on tour during 1968, John Bonham fell in love with a fellow drummer's maple Ludwig kit. Knowing how massive Led Zeppelin was about to be, the drummer called the company and recommended they send a kit to Bonham. From that moment forward, he only used Ludwig drums.

During a 1979 tour of Japan, Cheap Trick held a coloring contest. The winner's guitar design was made into a double-necked guitar that resembled a cartoon person. Named Uncle Dick, the guitar was a creation brought to life by Hamer.

Mick Jagger's love for the blues is never more obvious than when he picks up the harmonica. He's recently hinted at a new release that will feature his harp skills with a Hohner harmonica.

The "Piano Man's" touring setup consists of four different piano setups. When it comes time for numbers that require the use of a grand piano, he is a fan of Yamaha ivories. The other setups consist of pianos run through various synthesizers and effects.

Steve Vai may have popularized the Ibanez UV7, but his skills inspired other "nu-metal" players to take the same guitar on stage. Bands like Korn and Limp Bizkit have both embraced the relatively inexpensive guitar.

Whether you're looking to drench your tunes in effects like The Edge or create a bunch of loops, the Line 6 DL4 is really all you need. In one pedal body, you get the benefit of echo, delay and phase. It just depends on how you customize it.

Many late '70s and early '80s bands like The Cure and Siouxsie and The Banshees owe part of their sound the Roland JC-120 Jazz Chorus. The solid-state features two 12-inch speakers and crisp tones. The option to crank up its powerful chorus gave it a distinctive analog sound.

The Maestro Echoplex EP-3 used actual magnetic tape to make its ethereal loops. One of the largest effects boxes on any '70s stage, the echo box was used by the likes of Andy Summers, Brian May, Neil Young and later by Eddie Van Halen.

Harmony guitars were huge back in the '60s. Thanks to players like Jack White from the White Stripes and Dan Auerbach from The Black Keys, the H78 has made a huge comeback. Their rare nature makes them a little hard to find, though.

Both Dick Dale and Keith Richards believed that they could never be loud enough. With the Fender Showman behind them, they didn't need to worry. The Showman's impressive 85-watts and 15" speakers are enough to make sure everyone in the back row hears you.

Next to the Fender Strat, the Gibson Les Paul is one of the most played guitars in rock 'n roll. When designed and produced in 1952, it was the Gibson Company's first attempt at making a solid body guitar that mirrored its previous guitar's shapes.