Famous War Paintings Quiz: Can You Name the War From the Painting?

Civil War artist Frederic Edwin Church painted "Our Banner in the Sky," a patriotic image right after the War commenced in the spring of 1861. Church, a landscape artist, utilized celestial structures in his sky to recreate the American flag.

Spanish artist Francisco Goya illustrated Napoleon's troops shooting directly at Madrid citizens in "Third of May 1808" (1814). The painter memorialized Spain's resistance to Napoleon Bonaparte's military aggression in this and his other famous painting "Second of May 1808" (1814).

Xanthus Russell Smith captured the August 5, 1864 Battle of Mobile Bay in his 1890 portrait of the same battle name. It was Smith's talent for writing that secured his position as clerk to Captain Thomas G. Corbin while Smith served in the U.S. Navy during the Civil War.

Winslow Homer reenacted the siege of Yorktown in his Civil War painting "A Rainy Day in Camp" (1871). Born in Massachusetts in 1836, Homer frequently traveled to the Caribbean, where he was inspired to create bright, tropical watercolors, in stark contrast to his wartime imagery.

World War II artist Paul Nash rendered celebrated paintings, such as "Battle of Britain" (1941), "Defence of Albion" (1942) and "Totes Meer" (1941). Pictured here, "Battle of Germany" (1944) is, perhaps, the most prominent of Nash's works.

Born in 1903, war artist John Piper used his family's secluded cottage as his painting studio. In the 1940s, Piper expressed morbid sentiment for war using watercolors, ink and gouache. "Shelter Experiments" (1943) showcases a Neo-Romantic art style.

Thomas Hart Benton based "The Sowers" (1942) on the peasant paintings of French artist Jean-Francois Millet. Benton's interpretation was one of eight pieces depicting violence that he made for his "Year of Peril" series.

Evelyn Dunbar created paintings, like "The Queue at the Fishshop" (1944), that recorded the lives of ordinary women and Women's Land Army recruits. The British War Artists' Advisory Committee commissioned Dunbar for her World War II perspective.

Spanish artist Pablo Picasso documented the 1937 Nazi Germany aerial bombing of Guernica, a small town in Spain. In 1939, the painter donated the piece titled "Guernica" to the New York Museum of Modern Art.

Pop artist Roy Lichtenstein appropriated Korean War and World War II comics in his "Whaam!" (1963) diptych painting to re-create a Vietnam War scene. In Lichtenstein's comic-book setting, a combat pilot shoots down an enemy plane.

American painter Benjamin West debuted "The Death of General Wolfe" (1770) in London on April 29, 1771. The artist's war portrait renders the death of British General James Wolfe, who was wounded on September 13, 1759 at the Plains of Abraham during the French and Indian Wars.

Artist Anne-Louis Girodet de Roussy-Trioson was a student of Jacques Louis David. Girodet's works include "The Revolt of Cairo" (1798), "The Sleep of Endymion" (1791) and "The Spirits of French Heroes Welcomed by Ossian into Odin's Paradise" (1801).

Salvador Dali was a famous surrealist painter. He, like other surrealist artists, explored the unconscious realm. The infinite skulls in Dali's painting "The Face of War" (1940) suggests inevitable infinite death and destruction from war.

"The Massacre at Chios" (1824) documents the aftereffects of the Greek War of Independence. Although his works are celebrated today, French artist Eugene Delacroix was heavily criticized by his contemporaries for a lack of technical skill in his work.

French painter Theodore Gericault rendered the "Wounded Cuirassier" (1814) a few years after he completed his first major painting, "The Charging Chasseur" (1812). Gericault's work was not as popular during his life as it was after his death.

Emanuel Gottlieb Leutze captured an image of George Washington crossing the Delaware River to execute a surprise attack on Hessian troops based in Trenton, New Jersey. Leutze's "Washington Crossing the Delaware" (1851) is one of the most recognizable American war paintings.

In "Battle of San Romano" (c. 1450s), Italian painter Paolo Uccello reenacted the 1432 battle of San Romano, a skirmish between the Sienese and the Florentines. Uccello posited Florentine leader Niccolo da Tolentino on the white horse.

German artist Albrecht Altdorfer painted a 333 B.C. battle of a thousand warriors that includes Alexander the Great in "The Battle of Alexander at Issus" (1529). The artist's fascination with astronomical objects, like novas, comets and stellar flares, is evident in the war portrait.

The Spanish encounter the Dutch in 17th-century court painter Diego Velazquez's "The Surrender of Breda" (1634-1635). In the image, Dutch general Justin of Nassau offers Spanish commander Ambrosio Spinola the key of Breda.

John Singleton Copley's historical painting "The Death of Major Peirson" (1781) records the moment when British Major Francis Peirson was slain after forging a counterattack against French forces, who were aiding America, seizing Jersey in the English Channel. The British declared victory at the time of Peirson's death.

Armenian-Russian painter Ivan Aivazovsky memorialized the Russo-Turkish War of 1828-1829 in his 1892 seascape titled "Brig 'Mercury' Attacked by Two Turkish Ships." The prolific artist finished approximately 6,000 portraits from his Black Sea port studio.

In 1848, Ivan Konstantinovich Aivazovsky memorialized a nighttime sea battle scene in "The Battle of Chesme on 25-26 June 1770." The Russians were dominant aggressors in their fight against the Turks, whom the Russians had cornered in Chesme Bay.

In "The Battle of the Kearsarge and the Alabama" (1864), French painter Edouard Manet chronicled the Battle of Cherbourg, which took place on June 19, 1864 off the shores of Cherbourg, France. The U.S.S. Kearsarge sank the Confederate's Alabama warship after two hours of battle.

American artist John Singleton Copley beat master painter Benjamin West to win a commission from the Corporation of London to translate the siege of Gibraltar in the war portrait "The Defeat of the Floating Batteries at Gibraltar, September 1782" (1783-1791). The siege began in 1779.

James Walker's "The Battle of Gettysburg: Repulse of Longstreet's Assault, July 3, 1863" (c. 1864-1870) had been a private collector's piece for many years after it was created. The Johnson Collection acquired the battle painting in 2004 from art dealer Rob Hicklin.

William D. Washington memorialized the burial of a Confederate officer in "The Burial of Latané" (1864). The 29-year-old cavalry soldier was killed in June 1862 during J. E. B. Stuart's ride around McClellan's troops that occurred during the Peninsula Campaign.

Frank Schoonover's 1919 war portrait titled "Sergeant Alvin C. York" is of a Tennessee war hero. Corporal York demonstrated great bravery during the First World War when he commanded a group of 17 American soldiers in an ambush of Argonne in France.

French artist Fernand Léger created the Modernist-styled "La Partie de cartes" ("The Card Game") (1917) while recovering from a German mustard gas attack. Léger had spent a few years fighting in Argonne before his injury.

"Napoleon Crossing the Alps" (1801) is arguably French painting master Jacques-Louis David's most successful piece. The portrait is a reenactment of Napoleon Bonaparte crossing the Alps toward a victorious battle at Marengo against Austrian troops.

Lebanon, Connecticut native John Trumbull painted an intimate portrayal of a military major general in "General George Washington at Trenton" (1792). As a soldier in the Continental Army, Trumbull had served as aide-de-camp to Washington in 1775 for a brief period.

Art historians contend that General George Washington is depicted inaccurately in American artist John Trumbull's "The Death of General Mercer at the Battle of Princeton, January 3, 1777" (c. 1787-1831). Way before the colonies revolted, Brigadier General Hugh Mercer was considered a fearless rebel.

John Trumbull illustrated a scene from the Canadian campaign of the American Revolution in "The Death of General Montgomery in the Attack on Quebec, December 31, 1775" (1786). During the Battle of Quebec, General John Montgomery invaded Canada and seized Montreal.

Flemish painter Pieter Snayers emphasized Austrian resilience in "The Battle of White Mountain" (1620). The victory in Bohemia emboldened the Habsburg rulers to consolidate power throughout the Empire.

In "The Siege of Aire-Sur-La-Lys" (1653), artist Pieter Snayers depicted the Battle of La Marfee that transpired during the Thirty Years' War. Snayers commissioned the aid of cartographers and military strategists to help render the most victorious panoramic imagery possible for the Habsburg Empire.

Controversial artist Fujita Tsuguharu's mastery of both Japanese and Western art styles is evident in "Final Banzai Charge against the Americans on Attu Island" (1943). "Foujita" achieved fame for his paintings in the West during the early 20th century.

English artist Eric Henri Kennington offered an intimate platoon portrait in his World War I depiction "The Kensingtons at Laventie" (1915). Several of Kennington's soldiers in the image suffer from extreme exhaustion due to the war.

"Morning on the Tarmac" (1941), by English artist Eric Ravilious, captured the final days of the H.M.S. Glorious, an aircraft carrier that sank off the Norwegian coast in June 1940. The ship met its fate amid controversial circumstances.